Avainsana: fingerstyle

Day 10 — Tempo ladder (graduation day) Builds on: Days 8–9 — both patterns run clean at 60.Good for: speed earned, not forced — tempo is the graduation axis. Also its underused opposite: one very slow pass, where flaws have Read more…

Day 9 — Six-note pattern: p-i-m-a-m-i Builds on: Day 8 (rotation solid); Day 4’s pattern flexibility.Good for: your third right-hand pattern — up and back down in one gesture. Six notes per bar gives a waltz-like flow and is the Read more…

Daily warmup (same every day for this week) Part 1 (2 minutes): Week 1 open-string p-i-m-a — free stroke, dead even. You might want to try with right hand 4 on resting on the guitar and off of it. Part Read more…

Day 5 — First mini-piece (Am – Dm – E7 – Am) Builds on: Days 1–4 (arpeggio, tone, one chord change, pattern flexibility) + Am from Day 1; new shapes Dm and E7.Good for: stitching the week’s skills into a Read more…

Day 4 — Reverse pattern (p-a-m-i) Builds on: Day 3 (C↔G7 working with the forward pattern).Good for: right-hand flexibility — breaking the one-direction rut, more finger control, and a second pattern in your vocabulary for arrangements.

Day 3 — Chord change (C ↔ G7) Builds on: Day 1 (arpeggio + clean C). New: G7, and the thumb reaches to S-6 for G7’s root.Good for: surviving a real change without the right hand faltering — a bigger Read more…

Day 2 — Flesh tone production (across C · Am · A) Builds on: Day 1 — the arpeggio runs reliably on all three shapes.Good for: a warm, even nylon tone + your first rest stroke (apoyando), the future tool Read more…

Daily warmup (same every day) Open strings, no left hand. Free stroke, flesh pad, slow and dead even (~2 min). Builds on: nothing — this is the floor (hold the guitar, know p/i/m/a).Good for: right-hand finger independence and even tone/volume Read more…